July 15th, 2009
September 9th, 2008
…for making last night’s public library program on Preserving Your Old Family Photos possible. I want to thank McCollough Branch head librarian Glynis Rosendall for asking me to do this presentation, to WNIN-FM88 for interviewing me, to the over 50 attendees who asked great questions, to those who lent me their photos for some demonstrations, to those who purchased books, and to my wife, McCollough Branch children’s librarian Cheryl Soper, for helping me set up and take down my equipment.
For a taste of what we covered last night, check out these samples from the PowerPoint preview I ran before the presentation started:
June 5th, 2007
… I have digital imaging in Windows Vista covered.
- Learn how to use the Photo Gallery feature in Windows Vista to edit your photos without overwriting your originals.
- Tired of waiting, waiting, and waiting for the Importing Pictures and Videos wizard to load up the pix from your digital camera? Do a Donald Trump on it and replace it with faster and smarter transfer programs (some of which also work for free).
Keep an eye on the continuing Windows saga (Windows XP fans also get their fair shakes).
June 4th, 2007
I’m heading off to Microsoft’s Tech Ed 2007 extravaganza in Orlando this week. While I’m down there, I’ll be recording a half-hour video podcast for my publisher – I’ll post links to the video and audio versions when they’re available.
Before I’m out the door, let me say a big thank you! to the Southwest Indiana PC Users Group for inviting me to talk about layers in Photoshop Elements and Photoshop on May 20th. It was a well-attended meeting, with lots of great questions (and, I hope, some decent answers from yours truly).Â The notes from the meeting will be available shortly at the SWIPCUG newsletters page.
… Sunday, May 20, from 2-4PM at Central Library’s second floor meeting room. I’ll be demonstrating the power of layers in Adobe Photoshop to the Southwest Indiana PC Users Group. I’ll be using Photoshop Elements 5.0, but if you’re using other recent versions of Photoshop Elements or Photoshop, you’ll also find this a useful demonstration. I will have copies of my recent books available for purchase, and I’m happy to sign books – bring copies you already have, or pick up some at the meeting (my office is moving this summer and I’m offering great deals!)
Come early, as the Evansville Public Library system is also kicking off its summer reading program that afternoon. There’s free underground and surface parking at the library and nearby, but spaces may be scarce from time to time. See you there!
Central Library is at the corner of Walnut St and Martin Luther King Jr Blvd in downtown Evansville.
I appreciate the opportunity to speak again to the Southwest Indiana PC Users Group, as I have several times before:
- on Windows Vista
- on becoming a technical writer
- on X10 home automation and home entertainment devices in Windows
- on wireless networking
- on digital photography
(these links open issues of the SWIPCUG newsletter P-See Urgent in PDF format, and require Adobe Reader or an equivalent program)
May 14th, 2007
Posting here’s been pretty light of late, as I’ve been putting the finishing touches on my book Maximum PC Microsoft Windows Vista Exposed, but, I haven’t exactly been idle.
- I’m now the “Windows Guy” at Maximum PC‘s website, blogging on a variety of Windows topics.
- Several of my articles on Windows Vista are now features at Que Publishing’s Microsoft Windows Vista and Office 2007 resource page:
Popular Photography magazine (and website) reports that the new entry-level Nikon D40 digital SLR camera no longer includes a built-in motor for autofocus lenses. The article points out that omitting the motor makes the camera body smaller and lighter (and, I would add, probably cheaper to make), but it prevents the D40 from using a lot of existing lenses, both those made for other Nikon DSLRs and those made for older Nikons. See the compatibility listing by clicking the Tech Specs tab here.
If you’re considering buying a D40 as your first Nikon SLR, limited compatibility with older Nikon and Nikon-compatible lenses might not matter (although current Tokina and Tamron lens lines won’t work, Sigma makes lots of lenses featuring HSM motorized autofocus that will).
However, if you’ve already invested in Nikon lenses, and especially if you want to use some classic Nikon F-series glass on a modern SLR, the D40 (6.1MP) or its higher-resolution sibling, the D40X (10.2MP) is not the best choice.
Sigma lens fans can read the compatibility listing here.
February 12th, 2007
There’s quite a vigorous film vs digital discussion going on over the Times of London‘s report about Kodak and the future of its film business, as I blogged in my entry “Please Don’t Take My Kodachrome Away…”
Film advocates are busy suggesting that digital photographers aren’t really photographers at all. One commentator put it this way (ellipses mine):
“Digital is all about results, irrespective of how you get there: profligate image taking, preview and delete, then save the lucky shot for Photoshop…When I went digital (briefly) I’d shoot 200 images over a three day vacation and later delete three-quarters of them. When the digital thrill died and I went back to film, I found I was a terrible photographer. And now, slowly, with film, I’m learning all over again what it means to take a photograph.”
The problem here (as is evident from the complete comment in the original Times of London story) is that this photographer abandoned his careful “make every picture count” method when he switched from film to digital and replaced it with a “more pictures are better pictures” approach. However, you can waste three-quarters of your pictures if you shoot with film as well as you can with digital (ask anyone who has ever suffered through looking through unedited packets of pictures fresh from the lab!).
The problem isn’t with digital photography, but in how it’s being performed. Here’s a digest of my approach (based on over 35 years of photographic experience, including about 6 years with digital, and several years of teaching photography):
1. The instant-feedback features in digital cameras (LCD playback, histogram feature in better models, and exposure display in advanced modes) help photographers who know how to use them to get better pictures.
2. I teach my students to evaluate white balance, exposure, mode, cropping, zoom, and histogram and to reshoot immediately with different settings, when necessary, to get better results. In other words, I teach my students to be as careful with digital as with film.
3. I teach my students to review their photos on a computer and pay particular attention to the exposure metadata stored with each photo. This information includes lens zoom setting, f-stop, shutter speed, ISO setting, EV adjustment, white balance, and so forth. By viewing the image and the metadata at the same time, a photographer can learn what makes one shot better than another. What’s even better is that it is no longer to use the camera vendor’s own software to view this information.
Microsoft Windows XP users can download the Microsoft RAW Image Viewer and Thumbnailer to view this information from selected RAW as well as JPEG and TIFF files from virtually any digital camera. Windows Vista and MacOS X users already have the ability to view metadata.
Reviewing metadata helps photographers at all levels shoot better photos. Although I’ve known for years that I ought to write down exposure data, I’ve always been too busy shooting to pull out a notepad and do it. On those rare occasions I did it, I watched picture after picture go by. No wonder I love having metadata at my fingertips!
You can be creative, careful, and methodical or boring, careless, and unsystematic with either film or digital. They’re both valid means of expression, and you can learn to do both well – or badly.
February 7th, 2007
Is the end near for the traditional yellow boxes of Kodak film? According to a story at the Times of LondonÂ Online, the answer may be ‘Yes.’ While film still has its friends (read the comments on the Times story), film as a business is dropping like a rock thrown off the Empire State Building.
The evidence is everywhere. Every time I go to a store that sells film, the SKUs available are fewer and fewer. Color slide film, still my favorite, is almost impossible to find except at camera stores. Digital cameras are pushing film cameras off store shelves.
But who am I to complain? I’m part of the problem. Like so many photographers, I’m finding the cost of a single roll of film exceeds $10 when processing is included. Do I have a masterpiece or two in those 24 or 36 exposures, or a roll of duds? With film, I don’t know until it’s too late. With digital, I can adjust exposure, white balance or other settings, and fire away, knowing I have the shots I want and need. Consequently, I’m using my digital camera more and my film cameras less – much less. I have my eye on a Canon Digital Rebel XTi, so my existing Canon EOS lenses won’t be orphaned.
If you like film – real film – check your friendly camera store. They’ll appreciate the business, and you’ll appreciate the choices you’ll find there.
February 6th, 2007
The story of how Ernst Leitz II, son of the founder of the world-famous manufacturer of the Leica camera, smuggled Jewish employees to new lives in America, rivals the story of Schindler’s List in its compassion and ironies. Leitz, whose father had been groomed to become a Protestant pastor, learned compassion from his father’s humanitarianism and practical Christianity, and found a new venue for that compassion when Hitler rose to power in the 1930s. The manufacturer of the camera used to capture images that glorified the “Master Race” subverted that propaganda by smuggling Jewish employees to new lives in America’s optical industry.
Read the whole story, including why it’s taken so long for the world to learn of this ‘righteous Gentile,’ in Mark Honigsbaum’s interview with Rabbi Frank Dabba Smith, whose painstaking amateur detective work pieced together the story, in “New life through a lens” at the Financial Times website. Frank Dabba Smith’s 2002 article “Ernst Leitz of Wetzlar and Altruism During the Holocaust,” (MS Word format) provides additional documentation for the amazing story of what I refer to as the “Leicajuden.”
Learn more about what historians have called the “Leica Freedom Train” from photographic historian George Gilbert’s article at ZeroZero.comÂ and his 2004 presentation for the Photographic Historical Society of Canada.
(H/T to Lucianne.com)